There is a garden in the city, an idyllic oasis set apart from the urban chaos by a wrought iron fence. If you pass it in the daytime, you might notice how nicely it has been curated and cared for it, how pretty it is, how much like paradise.
This series documents the incongruous behavior between man and the environment in Sumatra, Indonesia. On the one hand, humans destroy virgin forests, wounding and killing animals, while on the other hand they do everything possible to save them.
On the prairies of Manitoba, the Hutterites are outside. They are playing hockey, climbing hay bales, fishing, swimming, riding bikes, and connecting to their surroundings in ways that are increasingly uncommon with young people today in mainstream society.
The Keepers of the Lanes is a visual study of a fifty-year-old bowling alley lost in time in a modern, post-industrial, sleepy New England town.
Regarding sports, Ghana is known predominantly for soccer. However, some of the youth in Ghana are embracing a popular sport in the United States, basketball.
These photographs serve as metaphors for the way we alter, mend, and piece together memories, in order to make sense of what we have lost.
House of Glory documents a group of New Yorkers in their twenties from the Bronx, Queens, and Brooklyn as they pursue their dreams of becoming professional wrestlers.
Using extravagant costumes and staged compositions to abolish the fifty year gap between them, Joannie and Yvette became the Hallandale Twins.
The food that I make for the camera, and thanks to technology–with smartphones, has become our history book, our hand-me-down recipes, our record of how and what we ate at a given point in time.
This project was photographed on the homelands of the Neets’aii (Arctic Village) and Tetlit (Fort McPherson) Gwich’in, the traditional custodians of these areas.